"wen gum gum's painting, when viewed from a distance, appears to be very clean, but upon closer inspection, one would discover its rather dirty aspect, evoking a metropolitan beauty reminiscent of France, yet at the same time, it carries a distinctly gritty and grimy texture."
- a visitor comment in August 2023
「wen gum gum的畫，從遠處看，顯得很乾淨，但仔細一看，卻發現它相當臟的一面，讓人想起法國的都市美感，但同時又帶著明顯的砂礫和污垢的質感。」
- 2023年8月一段來訪者的評論
Of Mice and Women 老鼠並不笨
Exhibition dates 7.15 - 8.05 (Sat)
Opening Hours 2 - 7 PM
Exhibition venue BACK_Y
Opening Party｜2023.7.15 (Sat.) 3PM
日期 7.15 - 8.05（六)
開放時間 下午二至七時（休日、一）
地點 伊日後樂園
開幕時間 7.15（六）下午3時
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1/ atlas-I (圖版 I) A.P. Planographic printing, toner on paper. 42x52cm. 2023
2/ breakfast cereals (抑制性慾的早餐麥片) . found object. 17x17x8cm. 2023
3/ Körpertausch (換身). crayons, acrylic on canvas. 8F. 2023
4/ head net(頭網). crayons, acrylic on canvas.8F. 2023
Oh, hi there. I am Sketchmice. (Sure, go ahead.)
Is that a bad dream?
I dreamed that… I was a plastic flower.
5/ Sketchmice’s Speaking (引言：即使願意我也無能為力). single-channel video installation (TV, plastic coconut tree), loop playback, color/sound.16’40”. 2023
• 6/ golden shower (金淋浴). crayons, acrylic on canvas, polyethylene film. 8F. 2022
7/ inferno (苦境). crayons, acrylic on canvas. 50F. 2023
III.
VIII.
8/ sketchy bridge(粗略的橋). ink on paper. 2023
• XIX. synthesize me(合成我)
9x10.3x5.3cm (with frame)
• I. angel in disguise(偽裝的天使)
6x8cm. 6.2x7.3cm
V. two of us(二人)
7.2x9.5cm
VI. digital skin(數位皮膚)
9.2x7.2cm
III.lift(上升)
14x10cm
IX.between(之際 )
19.5x14cm
VIII. unisex arms(男女皆宜的手臂)
19.5x14cm
X. uncomfortable souvenir(不舒服的紀念品)
19.5x14cm
(from left to right )
I.
VI.
IV.
IX.
VIII.
X.
9/ two pieces on the wall (牆上二件). ink on paper. 2023
VII. run my fingers(手指奔跑)
9.5x7.2cm
IV. static fall(靜態墜落)
6.3x10.3cm
VII.
IV.
10/ alone (隻身). crayons, acrylic on canvas. 8F. 2023
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11/
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13/
11/ falling women(墜落輯). single-channel video installation (TV), loop playback.00’15”. 2023
13/ walking women(行走輯). stop motion(spray painting, ink on paper), single-channel video installation (TV), loop playback.00’24”. 2023
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12/ atlas-II (圖版 II) A.P. Planographic printing, toner on paper. 51x73cm. 2023
14/ XII. strident(刺耳) ink on paper. 28x19.5cm. 2023
15/ gazw begun(注目). crayons, acrylic on canvas, polyethylene film. 6F. 2023
16/ four tones(四種步伐). crayons, acrylic on canvas. 30F. 2023
17/ sketches(草稿輯). ink on paper. 37.5x26cm(each). 2023
18/ XIII. flash (熠熠). ink on paper. 28x19.5cm. 2023
19/ dog eye(犬視). crayons, acrylic on canvas. 50F. 2023
20/ overlap(疊置). crayons, acrylic on canvas. 30F. 2023
21/ castell II(人塔II). crayons, acrylic on canvas. 50F. 2023
22/ green storm(風暴). crayons, acrylic on canvas. 8F. 2023
23/ sensual disguise(感性的偽裝). crayons, acrylic on canvas. 8F. 2023
24/ lean on me(一體). crayons, acrylic on canvas. 30F. 2023
25/ XI. a walk(散步) . ink on paper. 28x19.5cm. 2023
26/ II. barefoot running (赤脚奔跑). ink on paper. 9.5x10cm(each). 2023
• 27/ gust(陣風). crayons, acrylic on canvas. 8F. 2023
29/ bodiless(無身體 ). crayons, acrylic on canvas. 30F. 2023
28/ no roots(無根). crayons, acrylic on canvas. 5F. 2023
I hope you understand that my works are still evolving.
In recent paintings, I have tried to portray the intimacy between bodiless women, showing their unusual "affection."
In contrast to the often interpreted "sisterly" relationships among women in classical(?) paintings, I hope the authenticity and intimacy of the bodiless women as individuals can be seen.
