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"That's why you've been half a mother to me
as long as I can remember."
「這就是為什麼從我有記憶以來，你一直是我的半個母親。」
風暴 green storm. 2023
疊置 overlap. 2023
隻身 alone. 2023
四種步伐 four tones. 2023
無根 no roots. 2023
一體 lean on me. 2023
人塔II castell II. 2023
犬視 dog eye. 2023
注目 gaze begun. 2023
苦境 inferno. 2023
無身體 bodiless. 2023
By means of those gender-ambiguous and deliberately confusing characters in the paintings, paired with a transgressive yet carefree aggressiveness, I project alternative ideas of body image and gender boundary into the mainstream vision.
借助畫中那些性別模糊、刻意混淆的人物形象，
搭配一種越界而又無憂無慮的攻擊性，
我將身體形象和性別邊界的另類觀念投射到主流視野中。
人塔 castell. 2022
金淋浴 golden shower. 2022
初次見面 strangers. 2022
舉與養 adoption. 2022
教練 coach. 2022
火瓶ll fire juggling ll. 2022
母親 mother. 2022
喇叭漫步 flared ramblers. 2020
賦予遺忘 the gift. 2022
光迎 willkommen. 2022
停留 bleiben. 2022
As I am constantly attracted by restless images in front of my eyes, I pick them up and paint them; lured by garbage paper fragments on the ground, I stop my busy hands to sort out the layered information that arouse and trouble me at the same time.
由於我不斷地被眼前不安的圖像所吸引，我把它們撿起來並畫出來；被地上的垃圾紙片吸引，
我停下忙碌的雙手，整理出層層疊疊的信息，這些信息既讓我興奮，又讓我煩惱。
女士 lady. 2016
雙人 twins. 2016
火瓶 fire juggling. 2016
衝出屠人島 run! baby run. 2016
腿的戀人 leg lover. 2018
變裝皇后 queen after dressing up. 2017
蜜蜂美眉 darling bees. 2016
過分交疊 overlapping 2017
慾火兄弟 firefighter 2016
拍摑 slap. 2015
陪伴 begleiten 2019
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